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, which cost roughly ,000 to make (adjusted for inflation, that’s about ,000 today).
The budgetary increase—as well as the shift from indie production and distribution companies to mainstream ones—represents the shift in Hollywood’s attitude toward lesbian romance movies.
“It was one of the first queer films to win an Academy Award, so it legitimized no-budget filmmaking,” Babbit said.
But in 1934, the Motion Picture Association of America refused to produce, distribute, or exhibit films that didn’t meet the code’s requirements, thereby turning the code’s guidelines into hard-and-fast rules.
In the case of impure love, the love which society has always regarded as wrong and which has been banned by divine law, the following are important: Impure love must not be presented as attractive and beautiful.
It must not be presented in such a way to arouse passion or morbid curiosity on the part of the audience. From 1930 until 1934 studios pretty much ignored the code because the Production Code Administration (also called the Hays Office after Postmaster General William H.
In other words the authorities were concerned that audiences would imitate what they saw on screen.
And so the Motion Picture Code, which provided a list of guidelines as to what could be shown and what couldn’t, was implemented in 1930.
Although these movies still contain some hallmarks of homophobia, they collectively represent a shift in the culture: That it was OK to show two women falling in love with each other onscreen, and that people would pay to watch them do it.