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— After simmering nicely during its first half, bobbing in and out of hip-hop, jazz, R&B, and whatever it is that Little Dragon makes, the first officially released DJ mix by legendary Detroit producer/DJ Moodymann hits a stunning transition.
Andrés and Lady’s percolating, broken-beat “El Ritmo De Mi Gente” gives way to the full-on disco house of “Uptown Tricks (Rodney Hunter Remix)” by Fort Knox Five, featuring Mustafa Akbar.
The old conception of the self is obliterated from that very first cry, to make way for that new life.
It’s a terrifying moment, to gaze into your child’s eyes and know in the root of your being Wordsworth’s adage: “The Child is the father of the Man.” That tumult of fear, mystery, and time lies at the heart of Sturgill Simpson’s adventurous third album, offers no-nonsense advice and down-home imagery, yet still takes more sonic chances than the entire bro-country contingency put together.
He creates sweeping contrasts with creeper vines of bunched-up piano clusters, muted Rhodes splats, and electroacoustic tremors.
Her major-label debut is littered with songs about class and heartbreak, the vulgarity is intertwined with wit and, most of all, it acknowledges that many Southern ’90s babies spent as much time listening to pop and hip-hop as they did country. It’s a loose concept record about a bride-to-be whose fiancé dies in a car crash en route to the wedding, and all of the misery and healing that follows.
Overcome by nightmarish images of the incident, our heroine decides to go on their honeymoon alone, slowly scaling the stages of grief in the process.
There’s been no shortage of pessimism about 2016—a year that was plagued with fear, hatred, and confusion.
In music, that ugliness was often confronted head-on, whether it was Beyoncé calling for a formation against rising tides, or YG offering Democrats an alternate slogan against Donald Trump.