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The earliest recorded performances are two that were given at Court in the winter of 1612–1613, during the festivities preceding the marriage of Princess Elizabeth with Frederick V, Elector Palatine (14 February 1613).

The play was published in quarto in 1600 by the stationers Andrew Wise and William Aspley.

Don Pedro and his men, bored at the prospect of waiting a week for the wedding, harbour a plan to match-make between Benedick and Beatrice.

They arrange for Benedick to overhear a conversation in which they declare that Beatrice is madly in love with him but afraid to tell him; that their pride is the main impediment to their courtship.

Benedick is horrified and at first denies her request.

Leonato and his brother Antonio blame Claudio for Hero's apparent death and challenge him to a duel. Luckily, on the night of Don John's treachery, the local Watch apprehended Borachio and his ally Conrade.

Meanwhile, Hero and her maid Ursula ensure Beatrice overhears them discuss Benedick's undying love for her.

The Watch arrest the villains and eventually obtain a confession, informing Leonato of Hero's innocence.

Benedick, who openly despises marriage, tries to dissuade his friend but Don Pedro encourages the marriage. Don Pedro laughs at him and tells him that when he has found the right person he shall get married.

A masquerade ball is planned in celebration of the end of the war, giving a disguised Don Pedro the opportunity to woo Hero on Claudio's behalf.

Though Don John has fled the city, a force is sent to capture him.

Claudio, stricken with remorse at Hero's supposed death, agrees to her father's demand that he marry Antonio's daughter, "almost the copy of my child that's dead" and carry on the family name.

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The presiding friar intervenes, believing Hero to be innocent.